• Birds. If I see one in the flesh, they are seagulls or pigeons firmly grounded near the bay. They wouldn’t stand a change with the quick rotations of the current propellors. The swooping birds roar constantly, hovering above, glaring below.

    Once they land, they sleep until they warm up and whiz around a two square mile space.

    I count seven right now.

    Those on the ground, subject to the birds’ glare. The speakers blare warnings to be in by 10pm. Too bad if you are eating pizza, eager to slip away and silently protest the state of affairs.

    The cuffs are too painful, the loneliness of the trek unbearable.

    The wings will swoop and illuminate shadows.

    The serious caws, the thick plastic barriers pushing away the air, the ashes of yesterdays rage remain. The burning eyes, the red and blue.

    Time to tuck my knees to my chin.

    Is this happening again.

  • It had officially been five years. Her pencil nubs need sharpening, and her eraser, still in cellophane. She didn’t know where to start, what to draw, how to begin a project. Didn’t she go to school to be an art production machine, to be known at the galleries where she relied on free metallic red wine and light lagers?

    Her last drawing in the middle of her sketchbook was full of angst filled scribbles with a variety of colored pencils. That was the night she downed a bottle and a half of two buck chuck – well, really three buck chuck – and tried to have her tears blend into the scribbles. Tears and lead don’t intermingle well, nor with plastic filled color pencils.

    She overheard someone at a coffee shop talking to another friend about another friend, questioning the said friend’s decision to pursue a career in design post-college. This someone, with a mullet haircut and clean white jersey shirt with a print of a woman with loopy hair and large, sad eyes, said that the person would be designing already if they wanted to design. Apparently this friend, this person Lissa couldn’t point out on the street, or even by memory, was a total train wreck. No wonder design appealed to them.

    On the way home from the coffee shop, she had this internal argument with this someone about desiring an artistic praxis rather than doing it. Was this someone one of the lucky vocal ones who had a built in community to practice with, people who she grew up with who admired what she had to say? Who was she to judge someone’s desire?

    Lissa had desired to draw again starting three months ago. This would require her to retrieve her drawing materials from the bottom of a box, one of the five she hadn’t bothered to open since she moved around this time last year. The large box also had tapes and CDs, ones she gave her, ones that Lissa couldn’t bring to throw away.

    This woman, the one who apparently didn’t have a hard time engaging with her own desires, forced Lissa to open that box. It was a medium box, slightly larger than the other small boxes that contained her books. Her new place doesn’t have a bookshelf, or any place to store anything beyond a small bed, desk and wardrobe for her ever tightening clothing collection.

    The clothes got so tight that Lissa ordered a pair of her favorite pants two sizes up on some site she had never been to. They would come tomorrow, or the next day. Lissa’s thigh barely fit into her current pair.

    Once she got home, she took off her elastic waist skirt and put on her green polka dot pajama pants and dragged the box off the top shelf of the closet in the hallway. Her roommate, who wasn’t home, would have no idea that she took the Wusthof knife – again – to open take on the box. Last time, Lissa was caught in action, and then claimed the knife looked a lot like her own dull, barely sharp knife she purchased from Walmart, or Target.

    The knife pierces the loose layers of tape, and Lissa works her fresh violet fingernail in-between the two wedges and works open the box. On top, it is mostly mix tapes, her mixes  that she switched back and forth with Cass over five years. She takes them out and puts them in neat piles of five next to her mattress on the floor. 10 rows.

    Too bad she doesn’t have a tape player right now that works, even though she would like to put all 50 tapes in the player and have the ribbons twist and crunch into unrecoverable knots.

    The CD books were easier to deal with. CDs she hasn’t touched to three years since she uploaded them all onto her computer. She kicks herself for not keeping the artwork and the cases.

    The notebooks and pencil cases, the watercolor paints and brushes, are all in plastic bins at the bottom. She pulls out the pencils, the notebooks and flips through her intricate illustrations of flower vases, food still lives, swirly hair, charcoal faces and red, many red ink drawings of chairs. Some drawings just remind her of her As and Bs in school, those late nights she would draw buildings outside her window.

    She puts her bins of supplies next to her tapes, flipping through more books. Lissa never showed her work at galleries in school, except for her senior exhibition. No prizes, and all people could talk about was the pretty girl’s reworking of a modern, restaurant farm-to-table inspired tampon box. Whenever her exhibit came up, people looked away, looked down, looked her anywhere but in the eye.

    Her exhibit, an exploration in women walking on the streets, didn’t turn out she intended. Lissa tried to pull together a video of women she shot in dresses, walking with gentle struts, walking with purpose. Except she conceived this at the last minute under the guidance of her advisor, who also advised pretty girl. Her advisor said that her painting and drawing could benefit from more perspective on her, well, ‘unique’ style. This required learning video editing in a week, and, well, one of her final comments said that her editing ‘makes no sense’.

    Lissa doesn’t care to make sense. Lissa takes an F pencil and starts to draw small circles with the hardened lead. Maybe she could draw a thousand circles this evening.

  • “There is always a way to convey mood with my fingernails,” Lissa says to Ashley.

    “I don’t see mood – I just see you picking colors that look like they don’t go together.”

    “Most colors go together. They do. You just think about the rules too much.”

    “How can you tell me that this creamsicle color and this putrid green go together?”

    “They reminded me of lime and orange sherbert. I don’t like raspberry too much.”

    “But the lime sherbert is too olive or brown, or something.”

    “Well, maybe it is covered in ginger ale.”

    “That would lighten up the color.”

    “Well, it is almost chipped off anyway. Maybe I should do two grays today.”

    “Two grays is boring, unless one of them is silver.”

    “Grays are good for transparancy.”

    “You can’t make them transparent on your nails.”

    Lissa picks up a blueish gray from her pile of 50 or so bottles in the mirrored cabinet along the wall. It had been two months since she last coordinated the colors – now yellows are with blues, and purples with oranges.

    “I think this moonkiss sky would mix well with the – the – the seashell!”

    “Yes – I think so too”

    Lissa opens the two bottles, and then pulls out a plastic painters palatte. Shake, twist, pull, and place carefully on the stacks of seven pieces of toilet paper. She mixes in two parts of the sky and one part of the seashell.

    “Wait – mixing them?”

    “Yeah – I might pair it with a red tone.”

    “That’s not quite gray and gray.”

    “I get the gray out of the moonkiss sky, yeah, yeah?!”

    Ashley picks the first red she likes.

    “This looks like moonkiss fire.”

    “Mmmm, more like strawberry cake.”

    “Can you mix this one? I will wear it too.”

    “Of course, my darling!”

    Lissa pulls out purple passion. “The small gold glitter specs and the deep purple need some brightening. This will be a perfect sunrise and sunset on the beach!”

  • Lissa opens her door. Her roommate, who is usually at her boyfriend’s house, is putting on her boots. They nod at each other, like they usually do.

    Lissa moved here three months ago, and she found the place on Craigslist. This is her third move in two years. Like the other two times, she doesn’t see befriending the roommate. The Craigslist ad said that Jewel would be losing a beloved roommate and friend, and that she was hoping the same in the next roommate. Lissa needed to move in a matter of three days, as her current roommate decided on the 15th of the month that his girlfriend would be moving in at the end of the September. He said Lissa could stay until October 15th for free, but Jewel didn’t want to listen to them have loud sex and walk around half naked anymore.

    At least Jewel and her boyfriend didn’t have loud sex. Jewel was 10 years her senior. Lissa already had enough of Jewel calling her hon and hogging the shower for 45 minutes at a time in the morning. It wasn’t like Jewel had anywhere to be.

    There were a couple of incidents over the past six months. First, Lissa opened Jewel’s almond milk, thinking it was her own almond milk. Lissa ran out to the corner store to get another crate and sent Jewel a text, thinking she would laugh at her spaciness.

    Her roommate came home, and wrote a three sentence note on the door.

    “Lissa,

    Almond milk is expensive, and please pay more attention. You also got me sweetened almond milk, and I do not drink that. Also, the gas bill is due – $45.62, and have the check to me by tomorrow.”

    Maybe it was that time of the month. Jewel worked as a freelance interior designer, but she didn’t seem to work all of that much. Maybe her parents cut her off after her mom lost her job. Or, maybe Jewel was just a bitch. Lissa went to her room that night, turned on the episode of Hoarders where the women had too many cats, and opened a pint of Ben & Jerry’s Half Baked ice cream.

    The other time, Lissa walked in on Jewel and her boyfriend naked on the floor during a gray and humid summer afternoon. Lissa was supposed to be at her parent’s house in New Jersey, but she left early so she could go to the gym and drown out the raised eyebrows from her relatives. She told Jewel she would be home at 8pm.

    Jewel’s boyfriend stood up right away and put on his blue jeans. Lissa turned around, went to the cafe around the corner, and opened her copy of Bossypants. She sat there for two hours, half reading the book.

    When she got home, Lissa and her boyfriend were no longer there.

    Lissa took all of her clothes off, except for her bra and panties. She kept the full-length mirror out of her room, and instead placed it on the door in the bathroom. It had a long hallway and institutionally sea green tile. She bounced up and down, noticing that her right tit flopped out of her bra. There goes another $30. Her underwear left track marks around her hips, not quite chafing them.

    She would avoid the pint of ice cream in the fridge tonight.

  • Lissa tosses her Milky Way wrapper amongst the Snickers and Reese’s. The guilt over eating sugar, of imagining a momentary candy island, lasts maybe five seconds. It is a much shorter shift of euphoria, and an even longer one of craving the next square pellet of goo.

    This happens again for the third time. That is, gaining 25 pounds within six months. It starts with not even bothering with a scale, and then increasing purchases in Reese’s Peanut Butter Cup duos. Lissa used to buy a pack and keep one for the next day.

    Yesterday, she ate three packages of Reese’s. The wrappers scatter across her linoleum wood printed floor just beside her floor mattress. The person who had the room before took her bedframe, but left the mattress. Lissa lost her mattress in the move out of her place six months ago, and this mattress’ thick foam hardens and softens according to the weather. The mattress is always soft in the morning when Lissa wakes up, warmer than the sting of freezing rain out her one window.

    She won’t get up today, she decided. Just like last weekend. She called her friends, talked to family members, and everyone. Most of her friends think she still looks the same as her Facebook page.

    One day, she spent 10 minutes on the phone listening to one friend elaborate on the finer points of sugar causing blood cancer, a shorter lifespan, diabetes, a joy of slow death. That was three months ago. They used to talk twice a month. Well, mostly Kacey, the friend, talked about her new fitness plan and how she gained two pounds over the holidays. Kacey saw the last gain, the swelling of glutes and alteration of soft lined legs. Lissa had Kacey stand in front of the treadmill and yelled. Lissa smashed her fat rolls into a size extra-large pant looking down to make sure no cleavage.

    Lissa has to be at work in an hour. She decided not to eat sugar for the rest of the day. Her arugula salad with lemon pepper dressing would be lunch. The wrappers on the floor stay when Lissa closes the door, the whole contents of Halloween sized bags for children.

  • Right now my office is a cove in the dining room with a shelf directly behind me filled with animal food, paint, litter and mail. It is also next to this eight foot high window with no seals. The closest thing I have is a sheet that covers the bottom half of the window. The draft whistles on my left elbow, and I forgot to put on socks again.

    Okay. Toes now don’t necessitate me to wiggle them every five seconds.

    I am moving next week, and I am looking out for all the things I will miss about Philadelphia. I will miss this little cubby, and I will have more than a tiny cubby in my new home. It has helped me quite a bit with the keeping media – books included – out of my bed at night. The whole bed as office routine that I had fallen into needed to stop. Reading and sleeping should not be done at the same time! Bah! Well, my stubborn resistance did, indeed, prove that I need to embrace the concept of ‘Kill Your Darlings’ in any creative process. So that darling idea of sleeping and reading at the same time is SMASHED.

    As I sit here typing at my desk, and not my bed, I started listening to the jondra I call ‘Icy Music.’ AKA, music I like to listen to while I imagine taking a long trek in the snow. Then sometimes I actually have to muck around the slush. Most of the time, it is when I feel downbeat, mellow and eager to focus on one thing at a time. Or when I feel numb and silent while my mind and heart pound.

    1) Godspeed You! Black Emperor

    There was this one very awkward time in my life, almost a decade ago, where I had a free pass at SXSW! Cool! Except I had no place to stay and no way of getting there. In order to get there, I found someone who needed a van mate drive music gear down at Austin. Even cooler! I had a driver’s license, and I wouldn’t have any problems pitching in with driving.

    Except I got into this car with a bearded man with a lot of credibility in the independent music world, and I respected many of his projects. He shall remain nameless in this post.

    In my year of maneuvering music as a publicist, I just felt like people were sizing each other up all the time. Who do you know, who do you work with, yada yada. I was supposed to go talk to people at shows, but most of the time I wanted to hide in the bathroom or ghost early. I had adopted the disaffected pout that no one finds attractive and mastered the art of critiquing everything around me. The parties were all sponsored by ridiculous rag mags with free booze, which I needed at the time. Let’s just say it wasn’t the lightest, sunshiny bright time in my life.

    <It has also taught me that people with that sour look on their face likely need a hug and a genuine connection. It isn’t about killing people with kindness – it is understanding that some people need more reassurance than others to feel good.>

    He asked me about the last time I drove. I let him know that it had been more than two years. He shielded his eyes down and away.

    We talked for maybe 30 minutes total the entire trip. He had a great iPod, so we would alternate between songs.

    Near Roanoake, we stopped to fill the gas at 11pm at night. The plan was to stop somewhere in Tennessee for a quick crash. This was my first time on I-81, and the Appalachian Mountains sloped up and down with the highway.

    I picked Godspeed You! Back Emperor, not really thinking that it could very well be sleepy time music for a driver late at night. What I did was cry silently to rockets fall on Rocket Falls and place my jacket on my head. It was cold with the jacket off, but I needed something to soak the tears. I learned at a young age that people consider crying weak and feeble. It felt the opposite to me – isn’t it a kinder way to embody pain than screaming and fighting? The people I was surrounded by at that time didn’t ever show pain, except through some detached irony that was nowhere near as funny or charming as a Kids on the Hall sketch.

    In terms of post-9/11 music, the diffuse structure and oscillation between explosive melodic guitars to downbeat thumps provided plenty of sonic space to expand on intense emotions. There are the choir moments, the cinematic swells and the twinge of industrial grinds. It goes through the sounds of a quiet town, and then the swift decline of silence.

    I sat in the car that night, softly crying, grateful that I could at least blame the music if he saw me crying and asked.

  • JavaScript terrifies me. I don’t know if it is the formal use of language or the attention to detail required to get the .{}/() in all of the right places. I am reading Jon Duckett’s series on jQuery and JavaScript. My goal is to understand the language enough to build some applications and publish them on Github (I still need to fully understand the difference between Git and Github).

  • As many people know, I am not a fan of relentless positive psychology and thinking. Perhaps it has something to do with my suspicion of binaries in general. I also don’t like it when people tell me to smile, diss people who are quiet, and generally link positivity to success and a happy life.

    Those are loaded statements, and my opinions about such things are reactions to the same judgmental people who do not acknowledge the diverse range of human experience. Telling someone with breast cancer that ‘everything happens for a reason’ or ‘this will make you stronger’ doesn’t acknowledge the sheer terror that someone feels when they are potentially decomposing very soon.

    Silencing pain is a form of terror. If someone covers up someone’s pain with an empty positivity platitude, then they may mean well. The intent of kindness does not mean it silences a deeply felt human emotion.

    That aside, when I am animated and comfortable, I am expressive. When I am unfamiliar or uncomfortable, the wide eyed stone face emerges. Since I was a kid, I have a resting face that appears stoic, expressionless and mute. I wouldn’t call it resting bitch face, but rather resting aloof face. On the same note, I am not someone who likes to put all of my emotions on the table to just anyone. Maybe that makes me a snob, but I like to think that I don’t clutter other people’s lives with unnecessary emotions.

    People who are very emotional and expressive tend to have plenty of judgments about this type of expression – apathetic, long-suffering, unconcerned, indifferent. You get the picture. That is, the what you see is what you get types just think you are a major jerk or anti-social.

    How do erasing pain and judgmental talkative emoters link? I guess the point I am trying to make is that extroverted and expressive people erase the existence of stoic people when they call them cold or rude. Why would anyone who is called that based on a simple facial expression want to open up to people who throw such judgments? And why would anyone want to discuss their feelings when someone shoves a bunch of ‘everything happens for a reason’ around the conversation? I think the people who make such judgments and statements are the ones doing the distancing.

    More on this another day.

  • This question of judgement continues to occupy me. This could easily be the legal variety of judging, one where an authority – a judge, a police officer – determines whether a person breaks a law or causes harm to their surroundings. Someone with a high level of authority can determine how long a prison sentence lasts, how high of a fine to pay or how long a person must spend to determine the system that they have reformed.

    The concept of fairness and equality within a capitalist system has always been cracked, a sham, a goal that will never remain at an equilibrium. Capitalism depends on the haves in relation to the have nots. This is not a new trope, a new idea.

    With the advent of social media and rapid reporting over the past decade, people and corporations continue to reshape the dogma that everyone get a fair chance towards wealth, health and access to information. There is no fairness, and the 1% is not going to part with their wealth without a major public relations campaign announcing their inherent goodness for donating $1 million to ending childhood poverty.

    It still exists.

    ***

    An idealists ideal would be to soften judgment, to understand the relativism and messiness with people’s decision making process. This softening of judgment leads to detaching from emotional responses and judgments, and understanding that most people don’t act with all too much intent.

    Yet judgment persists, and it doesn’t escape. Intentionality, thinking before speaking, and always remaining aware that words offend works for some people, those who only want to converse with their kind, or even those who don’t want to be reminded of how terrible people can be.

    **

    What happens when intentionality means not speaking to someone because they don’t fit your idea of normalcy? I perhaps have experienced this more from my own identity groups than I have from society as a whole.

    As I muse my desire to lack judgment, I look back to experiences I had clinging heavily to a queer identity right after graduate school a few years ago. Disgusted with binaries, I sought people who also wrote off cisgender straight people who worked too normal of a job, who were artistic in the right way, or who liked urban farming. I didn’t want to befriend anyone who wanted to participate in civil society, so to speak.

    I had just moved to Atlanta from New York. Living in NYC, I had to participate in society in order to pay rent. In Atlanta, the cost of living was cheap enough to work a couple of part time jobs and pursue other projects. Perfecto! I could work part-time, pay cheap rent and pursue my artistic projects.

    Given that I had just moved from NYC after a decade of living there to Atlanta, I figured that finding people who shared my identity learnings would make for friendships via close confessionals and fun dancing.

    It worked at times. I enjoyed the communal bonfires, the dance parties and brunches. But most of the time, my clinging to an identity felt isolating. I felt like others had more authentic experiences with being queer than I did – after all, I dated both male and female identified people across many spectrums. A connection is a connection, right?

    I did not enjoy the cuddle puddles, the incestuous nature of everyone sleeping with each other (I don’t kiss and tell, ever), and the utter feeling of not being connected to many people because I didn’t like to be touched by people I didn’t know well. At times, I felt like I had to watch what I said, hide my thoughts and feelings and conform to some other group’s idea of queer. I stayed quiet, hating that I didn’t flirt, sad that I was perceived as too straight, sad that the confessionals and dance parties happened with so few people.

    In reality, most of the people I met in Atlanta utilized their identity to connect with people, whereas in New York, identity was not tracked, and documented for its authenticity. Who the heck had time for that? No one.

    Or maybe I did that because very few people asked me. My introverted, monogomy desiring self scared people away, as if I was a carnivores plant.. Polyamory isn’t for me – I just get overstimulated by in-depth bodily intimacy with too many people that I don’t know all that well. I don’t want people to talk about how good I am – or how terrible I am – in bed. I don’t want my body up for discussion. I like to get to know people before I sleep with them, at least some one-on-one time. And just because I spend one-on-one time with someone doesn’t mean I want to sleep with them.

    For me, clinging to that identity didn’t make me feel any more connected to people. As someone who is cisgendered, I carry an enormous amount of privilege, despite any leanings I have towards loving anyone, regardless of gender identity or sexual orientation.

    I also look like a women, even though I have an ambivalent relationship with expressing myself in an overly girly way. Yet I still wear dresses, have a mustache most of the time and got irritated by wearing a bra.

    I have set my queer identity free over the past few years. And guess what? I am still queer, a wierdo, annoyed by people who mindlessly consume culture without contributing to it in some way. Now I moisturize, wear a bra regularly, and I have a partner that I love dearly and who also likes monogamy.

    Also, I am somehow less hard on people who don’t fall under the LGBTQIA umbrella. I would rather have that kindness and gently roll my eyes at some of the ill-informed yet well-meaning assumptions straight and cisgendered people make rather than walk into a room full of judgey queers. Let’s save that judgment for those who even bother to hate others based on their identity.

  •  

    Okay, I got the stink eye from a web developer once when I forgot to write down my password for the salesforce system. At the time, it didn’t cross my mind that he would spend ten minutes of his day securing my new information for the network.

    The thing is, I have never been the type to document.  I live in the moment, jumping from one project to the next.  One habit I didn’t get myself into until recently was documenting my process with any user interface design or website process.

    I am taking a course as well as working on a WordPress site for a friend of mine.  Until my class, I was bouncing from one idea to the next, downloading and implementing templates without reading the full documentation, and not keeping notes of my passwords or recent changes.

    Add a hard drive crashing and a full-time job outside of this work, I realized I was losing a lot of time by forgetting my passwords, or relying too much on my own memory to rely on such detailed information.  Sometimes I would lose 30 minutes in a project recovering information, rethinking a password, NOT documenting it, and carrying on.

    The program I am using right now?  Pen and paper.  It isn’t another screen to click, and it also serves as a catalyst for me to take a break.  All this knowledge isn’t useful unless someone else can pick up on where the project left off, especially for clients who plan on running their own sites in the future.  Or just type in password manager in any search engine.  Is there really an excuse?